Workshop

SAMUH: The Collective In this installation there are elements that are associated with the Sacred trees of India. The elements in this Installation are inspired by both Deidi Von Schaewen's work and our experience with the trees of India. 

JHOOLA For relaxation, to have playfulness or to spend time together with the morning tea and newspaper, the Jhoola is an accessory of the Indian tree that has been there for many many centuries. Seen at the centre of the house, in the house front yard, or hanging by the oldest tree in the village, it has been ever-present. The tree that the Jhoola complements has been subjected to many sacred symbologies in India. By making a swing, something that is quite iconically seen with a tree and enriching the swing of the sacred and cultural elements seen with a tree, we have tried to complement Deidi's exhibition with their photography being a tree oozing with life. In the same way a Jhoola complements a tree with its presence but doesn't take anything with its absence. A Jhoola has a significant presence in the Indian context and thus it brings a feeling of joy when one spots it. With and around trees, it has been linked with themes of harvest and fertility. 

THREADS Cotton threads are tied around the tree trunk by revolving around the tree. These threads are tied for the wishes, hopes and longevity of life. The cotton thread, symbolizing trust and faith, strengthens when tied several times. The parikrama (circular movement around the tree to tie the thread), is meditative and allows transition through levels of life. 

TASSELS The vibrant colourful hangings made out of cotton cloths represent repetitive, meditative practices. They also rebut monotony and symbolize unity. The tassels also represent the pouch bags in which the afterbirth of cattle is stored and hung for a better yield of milk. HORSES Terracotta horses and other animal figures are kept under Sacred trees as a symbol of the fulfillment of aspirations and prosperity of the village folk. 

RANGOLI The intricate patterns in geometric shapes are to attract positive energy. Generally made from powdered colour, it is made in front of houses and in front yards around trees as a form of design that evokes energies that drive them through the day. The intrinsic lines and shapes are drawn with attention and some patterns and skills are passed on through generations. 

INSTALLATION TEAM Arpita Saraswat, Dhimant Badan, Gunjana Kharbanda, Sneha Ravishankar, Sparshika Upmanyu, Zaha Gupta, Zoya Gupta